WITZ, Konrad

b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art,


       Prev  1  2  3  4   Next
  Prev Artist       Next Artist     

   
    

WITZ, Konrad Pieta,Fifteenth century oil


Pieta,Fifteenth century
Painting ID::  38149
Pieta,Fifteenth century
mk131 Tempera and oil on panel 33.3x44.4cm
mk131 Tempera_and_oil_on_panel 33.3x44.4cm
   
   
     

WITZ, Konrad The Miraculous Draught of Fishes oil


The Miraculous Draught of Fishes
Painting ID::  40191
The Miraculous Draught of Fishes
mk156 1444 Oil on panel 129x155cm
mk156 1444 Oil_on_panel 129x155cm
   
   
     

WITZ, Konrad The Death of Mary oil


The Death of Mary
Painting ID::  43885
The Death of Mary
c. 1420 Panel, 141 x 110 cm
c._1420_Panel, 141_x_110_cm
   
   
     

       Prev  1  2  3  4   Next
Prev Artist       Next Artist     

     WITZ, Konrad
     b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art,

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings